It even comes in a handy Pelican hard case to keep your microphone kit protected. The plug on transmitter will also work with shotgun microphones on boom poles to make them wireless too although neither a boom pole nor a shotgun mic is included. Note that if you already have a Sennheiser G3 lav kit and a handheld microphone for interviews, you can buy the plug on transmitter separately just make sure you get the right model for whichever wireless band your Sennheiser G3 lav receiver uses— there are multiple bands available.
Note: Saramonic also offers a wireless microphone and transmitter kit. On television news you frequently see reporters holding microphones with cube shaped or triangle shaped logos on their stems. This basic microphone cube for a station logo comes in either white or black and is large enough to display a 6. Its diameter is 3. Triangle Mic Flag for Reporter Microphones. This microphone flag for ENG microphones handheld reporter microphones is 9.
They are popular choices among real users and get good feedback from industry experts. View on Amazon. This mic is custom-built for speech applications. Its frequency response is 70Hz—15kHz, so it rejects much environmental interference. That results in less unwanted noise and more focus on the sound source.
The mic has a sturdy aluminum alloy build. It looks smooth, and the long handle makes it comfortable to hold for extended periods. The grill is also metal and has zero give. Moreover, the mesh head includes an integral plosive screen to reduce popping sounds. But for the money, the HM-M2 by Movo offers exceptional value.
The audio of the Movo HM-M2 is never going to compete with mics that cost three times its price. The Zoom H1n is a perfect entry-level and affordable handheld digital recorder for reporters.
The one-touch controls and intuitive menus make light work of navigating the H1n. A single AA battery should give up to 10 hours with normal use. Many of the features appeal to novice reporters. Some of those include the external mic line-in and headphone line-out. Recording functions include stereo overdubbing, playback speed control, and a voice emphasize filter.
One of the biggest criticisms is its cheap, plasticky feel. This is done to keep costs down. Still, the toy-like quality of this otherwise serious recording tool loses it a few points.
Moreover, the door for the SD card slot has a design flaw. It can be so awkward to open and seems incredibly flimsy. The Top Pick goes to a workhorse in the news reporting industry. The Sennheiser MD 46 shields its sound source well in loud environments. It has low-handling noise and is comfortable to hold. Most things made in Germany are of superior quality, and that includes the MD46 microphone.
Sennheiser optimized this mic so it can handle the abuse often encountered in reporting environments. The lows produced are warm and smooth while the midrange remains consistently clean.
This mic is quite heavy when compared to some reporter mics like the Movo HM-M2. Some complain that it feels weighty when held for a long time. Meet the Shure VP64A, a sleek-looking and capable handheld interview mic for reporters.
The Shure VP64A is a good-looking mic, and that helps when doing on-camera interviews. The long, skinny handle is comfortable to clasp and makes it easy to pass the mic between others. This microphone has an omnidirectional pickup. The biggest issue with the Shure VP64A is its handling noise. It has an internal shock mount and is made extremely durable. The Sennheiser MD 46 is a cardioid dynamic interview mic, which means that it will reduce background noise and focus on the person speaking.
It has low handling noise, an all-metal body, and a double-layer grill to prevent plosives. The Beyerdynamic M58 is an omnidirectional dynamic mic with a long handle, low-glare finish, and has great balance. The Electro-Voice NDB is an omnidirectional dynamic mic that uses a neodymium magnet for higher output levels. The extra length makes it easier to interview another person as well as put on a mic flag. It is an omnidirectional dynamic mic with a neodymium magnet and has a water-resistant mesh grille.
It also comes with a windscreen and a boom mount. Want to turn any of those handheld interview mics listed above wireless? You can plug the receiver directly into a camera or into a digital recorder. It pairs quickly, has great range, and is really easy to use.
Highly recommended! Most cardioid mics meant for field use are built to alleviate handling noise. Their pickup pattern can also be used to reject sound from behind the mic.
This is nice for on-the-street interviews with one microphone, but it lacks the specific advantages of omnis and shots mentioned above. Shotgun mics and many other condensers are susceptible to handling noise. The sound of fingers sliding across the surface of the mic or tendons and bones creaking often rears its head at the most inopportune times like when recording quiet ambience!
Handling noise can be prevented by using a pistol grip with a shock mount, like these common models. Hand-holding a shotgun mic risks recording handling noise — audible creaks and vibrations transferred from the muscles and bones in your hands to the mic. A pistol grip with a shock mount prevents the sound of handling noise from reaching the microphone. Shotgun mics and other condensers often have a helpful high-pass filter. The high-pass filter removes unwanted rumble and low-frequency noise.
That can help alleviate but not prevent p-pops, wind noise, handling noise, and level problems with low frequency sounds like that of a bus zooming by during an on-the-street interview. The filter is usually turned on via a switch on the side of the microphone. Some audio engineers prefer to leave the filter on at all times unless they are recording something where low frequency is important. A high-pass filter on an Audio Technica shotgun. Shotgun mics and other condensers often have wonderful presence but can be sensitive to loud sounds.
Condenser mics are known for their present, clear sound and will usually have a crisper sound than a dynamic mic.
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